{"id":419,"date":"2009-08-30T22:42:30","date_gmt":"2009-08-31T04:42:30","guid":{"rendered":"https:\/\/douglaslucas.com\/blog\/?p=419"},"modified":"2009-08-30T22:42:30","modified_gmt":"2009-08-31T04:42:30","slug":"clarion-west-2008-part-3-of-10","status":"publish","type":"post","link":"https:\/\/douglaslucas.com\/blog\/2009\/08\/30\/clarion-west-2008-part-3-of-10\/","title":{"rendered":"Clarion West 2008 &#8211; Part 3 of 10"},"content":{"rendered":"<p><a href=\"http:\/\/www.clarionwest.org\"><img decoding=\"async\" class=\"left\" title=\"Clarion West Logo\" src=\"https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2008\/12\/cwlogo.jpg\" alt=\"\" \/><\/a>This post is the third in a series of ten about my experiences at <a href=\"http:\/\/www.clarionwest.org\">Clarion West Writers Workshop<\/a> in 2008. I&#8217;ll talk about the first week of the workshop, when <a href=\"http:\/\/www.williams.edu\/English\/people\/faculty\/Ppark.htm\">Paul Park<\/a> instructed. Here&#8217;s <a href=\"https:\/\/douglaslucas.com\/blog\/2008\/12\/27\/clarion-west-2008-part-1-of-10\/\">Part 1<\/a> and <a href=\"https:\/\/douglaslucas.com\/blog\/2009\/05\/01\/clarion-west-2008-part-2-of-10\/\">Part 2<\/a> of the series. I ended Part 2 by saying that at the mysterious space station in geosynchronous orbit above Seattle, where the workshop is held, I started the first week proper by thinking about characterization.<\/p>\n<div style=\"width: 362px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/douglaslucas.com\/seattle6b.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"Seattle\" src=\"https:\/\/douglaslucas.com\/seattle6b.jpg\" alt=\"Seattle, far below the space station\" width=\"352\" height=\"220\" \/><\/a><p class=\"wp-caption-text\">Seattle, far below the space station<\/p><\/div>\n<p>Because characterization is what Paul Park began by talking about.<br \/>\nPaul, a tall, fit guy, struck me and others as confident and intense. Among other books, he&#8217;s written the <a href=\"http:\/\/www.librarything.com\/series\/Roumania\">Roumania Quartet<\/a> novels and the short story collection <a href=\"http:\/\/www.amazon.com\/Lions-Could-Speak-Other-Stories\/dp\/1587155125\/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1251688906&amp;sr=8-1\">If Lions Could Speak<\/a>. He seemed very much a &#8216;thinker&#8217;, and that partly explains why I could easily relate to him and what he had to say. Since it was only the first week of the workshop, no one had turned any stories in; so, instead of <a href=\"http:\/\/kentbrewster.com\/code-review-using-the-clarion-method\/\">the Milford story-critiquing method<\/a> that drove the workshop through weeks 2 to 6, Paul lectured &#8212; mostly in a Socratic way. Sometimes he used exercises he asked us to hand in as the basis for his lectures.<\/p>\n<div id=\"attachment_429\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/paulparkcw2008.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-429\" class=\"size-medium wp-image-429\" title=\"paulparkcw2008\" src=\"https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/paulparkcw2008-300x225.jpg\" alt=\"Paul Park, standing left\" width=\"300\" height=\"225\" srcset=\"https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/paulparkcw2008-300x225.jpg 300w, https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/paulparkcw2008.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-429\" class=\"wp-caption-text\">Paul Park, standing left, Clarionites in the foreground<\/p><\/div>\n<p>Paul said that on the whole, our Clarion submission stories, while packed with whizbang ideas, didn&#8217;t make him invest in the characters strongly enough. So throughout the week he gave us a bunch of tips about characterization and other aspects of fiction-writing. I can tell you without looking at my notes what tips Paul gave that stuck with me the most. Bear in mind I&#8217;m paraphrasing.<\/p>\n<ul>\n<li>Story events happen because of the way people (the characters) are; writers shouldn&#8217;t just construct plots and then shoehorn characters in.<\/li>\n<p><\/p>\n<li>Compressing the timespan of a short story can often give it more &#8216;kinetic energy.&#8217; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Classical_unities\">Classical unities<\/a> and whatnot.<\/li>\n<p><\/p>\n<li>Too frequently, writers use point-of-view characters&#8217; physiological reactions as a shortcut attempt to convey emotion. For example &#8212; and this my example, not Paul&#8217;s &#8212; all too often writers trying to evoke, say, fear, strew sentences such as &#8220;Her scalp tingled&#8221; and &#8220;Her scalp prickled&#8221; and &#8220;Her scalp tightened&#8221; across even just a single short story. The physiological reactions become unintentionally comical (or annoying) tics. You start to wonder if the scalp-y character simply needs a different type of shampoo. The best book I ever read about representing emotion in fiction without resorting to cliches, by the way, was <a href=\"http:\/\/www.annhood.us\/\">Ann Hood<\/a>&#8216;s <em><a href=\"http:\/\/www.amazon.com\/Creating-Character-Emotions-Ann-Hood\/dp\/1884910335\">Creating Character Emotions<\/a><\/em>. I have no idea why that book doesn&#8217;t get more attention. Most fiction-writing books are nearly useless; Ann Hood&#8217;s isn&#8217;t.<\/li>\n<p><\/p>\n<li>Many writers, trying to convey what secondary characters feel, rely far too much on simply reporting the characters&#8217; facial expressions. Sometimes that&#8217;s necessary, but conveying what secondary characters feel is (often) a lot more effective when the characters simply <em>do<\/em> things. Example &#8212; and again this is my example, not Paul&#8217;s &#8212; instead of &#8220;her eyes were ablaze with anger&#8221; why not &#8220;she picked up the baseball bat and pointed its business end at me as though the bat were a sword&#8221;? To me, fictional facial expressions are the most obnoxious when writers use eyes to relay to readers what secondary characters feel. How many times have you read &#8220;Her eyes were ablaze with anger&#8221; in your favorite airport novel?<br \/>\n<a href=\"https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/eyecontact1_Thumb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-461\" title=\"eyecontact1_Thumb\" src=\"https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/eyecontact1_Thumb.jpg\" alt=\"eyecontact1_Thumb\" width=\"65\" height=\"65\" \/><\/a><br \/>\nSometimes in real life people <em>do<\/em> communicate startling things exclusively with their eyes, and it&#8217;s such an intense experience that cliche sentences don&#8217;t do it justice. Oh, and <em>check this out<\/em>, the study of eye contact is called <a href=\"http:\/\/en.wikipedia.org\/wiki\/Oculesics\">oculesics<\/a>. I gotta learn more about them thar oculesics, but I can&#8217;t find much written on the subject, can&#8217;t find any sort of expert oculesics-ist (or whatever). So for now I simply stare at people and ask them what we&#8217;re feeling. People don&#8217;t take it too kindly.<\/li>\n<p>\n<\/ul>\n<p>The collection of fiction-writing tips I come home from the space station with wasn&#8217;t at all the point. The entire workshop process improved my writing and me in ways a list of tips can&#8217;t convey. The whole process seemed a sort of artsy group therapy, centered around words and storytelling, both of which have a great deal to do with how people mature and generate meaning. Somewhere therein lies the key to what Clarion West meant. At the time, though, I was far too busy to ask myself what the heck Clarion West was adding up to &#8212; the Apollo astronauts generally say the same thing about when <em>they<\/em> went to outer space: &#8216;We were too busy picking up rocks and setting down experiment packages to write poems about our feelings.&#8217;<\/p>\n<div id=\"attachment_484\" style=\"width: 235px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/eagleascent.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-484\" class=\"size-thumbnail wp-image-484\" title=\"eagleascent\" src=\"https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/eagleascent-150x150.jpg\" alt=\"Clarionites take a break from critting stories\" width=\"225\" height=\"225\" srcset=\"https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/eagleascent-150x150.jpg 150w, https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/eagleascent-300x300.jpg 300w, https:\/\/douglaslucas.com\/blog\/wp-content\/uploads\/2009\/08\/eagleascent.jpg 336w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><p id=\"caption-attachment-484\" class=\"wp-caption-text\">Clarionites, taking a break from critiquing stories, go out for beer<\/p><\/div>\n<p class=\"wp-flattr-button\"><a class=\"FlattrButton\" style=\"display:none;\" href=\"https:\/\/douglaslucas.com\/blog\/2009\/08\/30\/clarion-west-2008-part-3-of-10\/\" title=\" Clarion West 2008 &#8211; Part 3 of 10\" rev=\"flattr;uid:DouglasLucas;language:en_GB;category:text;tags:Clarion-West-2008,Writing,blog;\">This post is the third in a series of ten about my experiences at Clarion West Writers Workshop in 2008. I&#8217;ll talk about the first week of the workshop, when...<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>This post is the third in a series of ten about my experiences at Clarion West Writers Workshop in 2008. I&#8217;ll talk about the first week of the workshop, when Paul Park instructed. Here&#8217;s Part 1 and Part 2 of the series. I ended Part 2 by saying that at the mysterious space station in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[103,110],"class_list":["post-419","post","type-post","status-publish","format-standard","hentry","category-clarion-west-2008","tag-clarion-west-2008","tag-writing"],"_links":{"self":[{"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/posts\/419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/comments?post=419"}],"version-history":[{"count":87,"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/posts\/419\/revisions"}],"predecessor-version":[{"id":1450,"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/posts\/419\/revisions\/1450"}],"wp:attachment":[{"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/media?parent=419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/categories?post=419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/douglaslucas.com\/blog\/wp-json\/wp\/v2\/tags?post=419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}