Clarion West Donation Drive 2010: Sponsor Me!

Clarion West, the six-week writer’s workshop I attended in 2008 on a space station in geosynchronous orbit above Seattle, hosts an online donation drive called the Write-a-thon each summer concurrent with the in-person workshop (June 20 – July 30). This year I’m participating in the drive along with many other former students and instructors. Here’s the deal: participating writers pledge to complete a certain amount of work individually; their friends, family, and fans donate whatever amount they choose to Clarion West as a show of support for both the writers and the organization. My goal: “Each of the six weeks I’ll either write a complete, good first draft of a new short story, or finish revising an older, in-progress one.”

I describe my feelings for Clarion West and my background in terms of the Write-a-thon further on my personal Write-a-thon profile page.

The donation drive works on an honor system — but, if you want proof I actually meet my Write-a-thon goals, I’m happy to accommodate you privately pretty much however you see fit. And, no promises, but if you do donate and want a character named after you in one of the stories, let me know that, too, as long as your name isn’t Forrest Gump or Darth Vader; if your name is euphonious I’ll ask the Muse to see if It can work anything out.

Clarion West is a nonprofit organization, and in the United States donations there are tax-deductible, as described on the main Write-a-thon webpage. Remember the organization has to fly the space station, pay the instructors, and so on — a lot goes into making this wonderful workshop happen. Rest assured that it is totally, totally, totally acceptable to donate a mere $5 if you want; $5 times a lot of donors times a lot of writers equals a whole lot of money.

To donate, you can either 1) click the PayPal “Donate” button on my personal Write-a-thon profile page, or 2) send with a note mentioning my name a snail-mail check to:

Clarion West
P.O. Box 31264
Seattle, WA 98103-1264

Thanks everyone, and I really appreciate even a single $5 donation to Clarion West. Let me know if you donate: it’ll make me work harder! Feel free to badger me about my progress towards my Write-a-thon goals, too!

3 Artists Speaking with their Guitars

Yesterday (18 June 2010) my friend and I attended the final concert of Guitar Fort Worth‘s sixth season. Texas Wesleyan University hosted the event at Martin Hall as part of their Wesleyan Masters Concert Series. The three classical guitarists pictured above gave the audience a wonderful evening. Will Douglas is on his way to study with Eliot Fisk at The New England Conservatory of Music; Michael Dailey, who started playing at age five and has taken lessons from players such as Andres Ségovia and Pepe Romero, remains impressive as head of household for much Fort Worth classical guitar; Emma Rush, founder and director of the Guitar Hamilton concert series and a top graduate of Hochschule für Musik in Detmold Germany, soon heads for concerts in Canada, Turkey, Mexico, and elsewhere.

Listening, I kept imagining the guitarists as making for us in the audience conversations with their guitars, and I was pleasantly surprised at how closely their personalities and their playing seemed to match. Will Douglas struck me as a fun guy whose performance resembled kind, pleasant talk — especially I’m thinking of the piece he played by Johann Kaspar Mertz, “Lied Ohne Worte”; Michael Dailey gave small benevolent smiles at the conclusion of each piece he played, all of which sounded effortlessly articulate, fluent, and well-spoken, filled with the neat nuances artful speakers include when they converse; and, Emma Rush brought an enigmatic, mysterious, almost secretive touch to her playing that became most exciting when she dazzled us with Jose Luis Merlin‘s “Suite Del Recuerdo.” I’d enjoy hearing any of these three perform again. When it came to a close, I realized the concert had made my world seem to brightly open more widely than before.