Clarion West 2008 – Part 7 of 10

This post is the seventh in a series of ten about my experiences at Clarion West Writers Workshop (Wikipedia) as a member of the 2008 class. I’ll talk about Week 5 of the workshop, when Sheree R. Thomas (New Book: Shotgun Lullabies; Wikipedia; Blog; NYT piece; NPR talk; Strange Horizons interview) instructed. Here are Parts 1, 2, 3, 4, 5, and 6 of the series. In Part 6 I discussed Connie Willis‘s week (Week 4) and ended by noting my hopes for seeing my Clarionites soon. Indeed, in this post I’ll talk some about the #CW08beach reunion my class held in October 2011!

Sheree attended Clarion West in 1999, a year when, someone said (someone — my notes are unclear), the workshop got intense with pregnancies, people not showing up, manuscripts thrown angrily across the room at their authors, divorces, etc. Clarion’s not really for the faint-hearted; yet, deep-down, writers are faint-hearted folks. So the space station (Clarion West takes place on a secret orbital above Seattle) gets very pressurized.

Happens right here

During her 1999 year, for whatever reason, some students begged Chip Delaney to tell them if they “were” any “good.” Apparently Delaney didn’t want to do that, but eventually acquiesced because his experience as an MFA teacher (if I recall Sheree’s comments correctly) led him to believe it was bullshit to take people’s money for years and just feed them hot air the whole time. Delaney gave students the option of not hearing his opinion. (I’d flip a coin. Because you have to learn not to care.)

Sheree R. Thomas (via)

Early on, Sheree said she wasn’t going to “redline” anybody, because just one person’s opinion doesn’t mean jack, and because there’s no necessary connection between how well someone writes at Clarion and how well they do after Clarion.

How did I do at Clarion West? I wrote two great short stories there (here’s the finished Glenn of Green Gables), one kinda bad story, and grew up a lot, learned stuff. How have I done after? I’ve written 50-something lifestyle/infotainment pieces for CBS News, completed 3 really good new short stories and drafted 5+ more, sold zero of them (though they’ve earned a few Euros through Flattr), and blogged about 100 posts here (also earning a very few Flattr tips). I’m usefully obnoxious on Twitter, where manuscripts don’t fly across the room but subpoenas do; I haven’t earned one yet. It’s all a bit frustrating, though fun. In the time it’s taken me to write these seven posts, I’ve gotten married and am getting divorced; the main payoff of the marriage was growing a spine. Especially now as I live with roommates in a cheap, freezing-cold place that resembles some sort of heavy metal dungeon, and forage for necessary medications like a hunter-gatherer going after berries, I have become downright mean in a way I never anticipated.

Once I wrote this!

Back to Sheree. With the possible exception of Paul Park, she was the most blunt of our instructors, which I thought was great. At “infamous Week 5,” most Clarion classes descend into mayhem. Week 5 took our class and amalgamated it into a giant pile of snuggle. Which mostly was great (see below, our reunion, after all), but the quality of the critiquing by classmates went downhill. Sheree, who’s also a freelance editor, gave me a great tip in our one-on-one conference for getting critiques from people while bypassing the need for them to be any good at giving them. You simply hand them your manuscript and watch their faces as they read it. You see what emotions your story strikes, rather than hear their report about what emotions your story allegedly struck. (Obviously written critiques are useful too, yadda yadda yadda.) We didn’t get to watch Sheree’s face as she read our stories, but we didn’t need to. She was blunt, and appropriately so; one of my favorite instructors there, for sure.

Sheree listed a ton of resources for our class:

Sheree R. Thomas and young person (via)

In response to someone’s story — I forget whose — she suggested the True Porn anthology and the What the Fuck? anthology . She suggested to me Maryse Conde’s novel Crossing the Mangrove and Toni Morrison’s novel Love. When I asked in the one-on-one conference about making secondary characters more autonomous (so to speak), she suggested writing compellingly from the point of view of people who disagree with me would help me create more individuated secondary characters. (Shades of Lacan?)

Week 5 found people guessing about Chuck Palahniuk, the Week 6 instructor, who was the biggest name and biggest wildcard. All the other instructors had either taught a Clarion before or once went to a Clarion themselves — and often, both. But Palahniuk hadn’t done either (though he’s returning to teach in 2012).

Fast forward three years and shift to a sandy orbital above San Diego, where 14 of our 18 classmates showed up for a week-long reunion at a house on (the celestial version of) Mission Beach. That’s more than 75% of the class after three years; that shows some serious bonding. (And our email list is still active.) Our venerable classmate Pam Rentz organized the whole thing — a herculean effort for which we rewarded her with a gift that included a signed picture frame. We all got along really well at the reunion, though the trippy reunion vibe was slightly present, as at all reunions. Same people, but different, but same, so who am I? That kind of thing. We all had dinner together most nights at this huge dinner table. Small groups of us also did some in-person crit sessions, which was really cool.

This place rocked!

What happened there stays there

(Yours truly in black)

Silly as ever!

View from beachhouse! (via Carol Ryles)

You can find more CW08beach reunion pics at Pam’s dropbox.

I’m not sure what to conclude about my writing progress since Clarion West 2008. Though I haven’t finished much fiction, I feel good about my writing overall, but then again, I’m intrinsically an optimist. It’s reassuring to remember Cory Doctorow talking during Week 3 about it taking him several years after his Clarion West student year to finish a lot of fiction. But I don’t have to conclude yet; I still have 3 more posts in this series to go!

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Clarion West 2008 – Part 7 of 10 by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Seeking permissions beyond the scope of this license? Email me: dal@douglaslucas.com.

About Stories About Things

Through my interest in and use of the social micropayment service Flattr I came across Aelius Blythe (Website: cheapassfiction.com; Twitter: @CheapassFiction) who also writes free fiction you can Flattr some cash toward. She curates a list of fiction writers who use Flattr, too. After a guilty two months or three of just reading her blog & Twitter feed, I finally downloaded her short story collection Stories About Things. I’ve been reluctant to read fiction on a screen, but given her (and my) support for piracy, it seemed the proper way to read hers. I was also reluctant to read her fiction because even if writers are cool people, their fiction usually sucks — and then I’m all disappointed.

But I’m really glad to have read Stories About Things. That’s my standard: “Was reading this a worthwhile expenditure of my time?” And it was. (Who needs fancier criteria?) Aelius seems really at ease writing fiction, happy doing it and if you don’t like it you can go read something else.

I don’t like Amy Hempel. Hempel writes these “miniaturist” stories where nothing happens and you’re supposed to feel awakened by the beautiful comma placement (and other sentence-level things). One of her fans, a friend of mine, wrote in the course of praising Hempel that “style becomes the writer’s morality.” Really? Your ethical theory is predicated on the placement of commas? The fan meant something more like voice or authenticity. All the same I like Aelius’s perspective better:

If [WebFiction] gets in the way of enjoyment, put the book down and go enjoy something else.

But before you judge to harshly, remember one thing: You are reading the literary version of graffiti art You may not want to stand in line for $20 tickets to a gallery opening for it. But somewhere in the scrawled mess of spray paint there may be a picture that sticks with you. And it gives you something better than a brick wall to stare at while you’re waiting for the gallery to open.

Stories About Things put Hempel in mind because Aelius’s stories are similarly short. Except I enjoy Stories About Things. And in the same way I enjoy The Police. Really talented and thankfully more interested in being enjoyable and rewarding than in being aesthetically elite. Here’s a good excerpt from Aelius’s collection:

Sal’s grandmother always warned him like this when she caught him looking. His mother said this was silly, and he was old enough not to be scared by fairy stories. If he looked into the sun, she told him, he would go blind, and that was that.

He never understood how someone could say that — “Don’t look at it.” People looked. If they could, they did. Sometimes, Sal thought, if he wasn’t paying attention he could turn off his hearing so when the lawnmower was going while he was reading he wouldn’t even notice. He could turn off his nose too by breathing through his mouth. Touch was a sense that everyone ignored unless it was too bad or too good. Taste was the same. But he could only turn off his sight by closing his eyes, and he couldn’t go around like that. He had to look. He didn’t know how not to. If he could see something, he would.

Another:

The flower has brown eyes, a bright brown, almost-red. They smile. They don’t shine in the sun. They shine at the sun.

In describing webfiction, (something distinct from fanfiction), Aelius lists a bunch of fiction “errors” — starting a story with weather descriptions, or the white rooms the characters are in, or making tpyos, etc. — and considers them all good, because who’s counting?

She says:

Part of the reason why I turned to web fiction was because of a sort of disillusionment with regular fiction in which I find many distractions (repetitive plot patterns, dull characters, predictable everything) that just happen to be dressed up better. I wondered for several years why I couldn’t find books that I liked, even though I read so many. But then when I started writing seriously myself and studying writing, I realized that there are certain styles that are institutionalized in writing — it’s how people are taught and styles change slowly so you get so much of the same thing. I think that’s why I can ignore the flaws in web fiction. Because I needed something DIFFERENT, and web fiction is different.

Charles Darwin’s quote (also paraphrased by Bradley Manning) describes webfiction well: “It is not the strongest of the species that survives, nor the most intelligent that survives. It is the one that is the most adaptable to change.”

As for setting some stories on the Internet, Aelius writes that her collection Brave New World (which I haven’t read yet) is

a collection of stories about the natural world. Not the natural world that Whitman or Thoreau wrote about, but the world that comes just as naturally to my generation as sky and woods did to theirs. Our world is made of more than that. It’s made of computer screens and wifi and endless libraries of information all at the tip of our fingers. This is our Nature, or part of it anyway.

I think she has more courage to do what comes naturally to her than I do. Following her on Twitter, where she often remarks about her fiction-writing, inspires me to write more.

(Perhaps I should cut myself more slack. My life right now primarily consists of divorcing, moving in to a new place, a knee injury, and figuring out my budget + wacky streams of income. But I haven’t ever particularly believed in cutting myself slack.)

One of the really interesting things Aelius is doing is writing authors letters to ask if they know about, if they approve of, their publishers suing their fans over piracy. (I like this exchange she got into.)

So webfiction is the opposite of National Endowment for the Arts writers who want to write comma-perfect books at taxpayer expense, and then charge taxpayers to read them, too! Sharing culture freely is better and artists need to deal with changing technological mediums instead of whining about it and suing people over it.

I feel as if I should say something critical in a token effort at Neutral Point of View. Aelius, don’t start so many sentences with conjunctions, especially “But” and “Yet” — conjunctions kick in readers’ logic modules and thereby reduce emotion. It’s fiction, not Boolean! (Unless you want it to be more logic-y.) Really in a way I don’t want to post any of this, because talking about good things sometimes interferes with them, and she certainly should just continue what she’s doing and not listen to anyone.

You on the other hand should go read her fiction.

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About Stories About Things by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Seeking permissions beyond the scope of this license? Email me: dal@douglaslucas.com.

Call to Stop SOPA before Thursday

Please ███████ this bipartisan anti-censorship request! Our earlier activism ███████ stopped legislators from co-sponsoring this ███████!

SOPA (the Stop Online Piracy Act) might pass the House Judiciary Committee this Thursday. Piracy of intellectual property is, if a problem at all, a negligible problem (and in fact, some studies show piracy ███████ increases consumer entertainment purchases). ███████ problem is ███████ this legislation can be used by ███████ US to censor ███████ Internet (more than DHS/ICE is already doing using flimsy reasoning). ███████ under SOPA, websites (such as mine) that merely link to controversial content can be held liable for that content. (And what if I link to a site that later becomes controversial without my knowledge!) ███████ Wikipedia is considering temporarily blacking out their site in order to raise awareness of SOPA’s danger.

So call your US House Representative’s local and DC offices against SOPA before Thursday! ███████ politely give them a three-sentence statement: 1) Your name, your occupation (if relevant), and that you’re a constituent (give your state or ZIP code); 2) Two or so reasons explaining why you want your Representative to oppose SOPA (hurts job creation ███████ the reliable technology sector, institutes American Internet censorship not unlike China’s); 3) Say thanks ███████ re-state your point: “I want Representative So-and-so to OPPOSE the Stop Online Piracy Act.” The worker who answers will be polite to you, ███████ don’t have to worry about that.

It’s ███████ a bipartisan issue: currently, among others, notable Democrat Barbara Boxer ███████ notable Republicans Scott Brown and Eric Cantor receive lots of money from organizations opposing SOPA, and notable Republican John Boehner and notable Democrat Harry Reid receive ███████ money from organizations supporting it. So ███████ now there’s a good opening for you to contact your US House Representative as the issue’s still in play.

More resources ███████

(This post has been mildly edited/improved/added to today since its original posting a few hours ago.)

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Call to Stop SOPA before Thursday by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Seeking permissions beyond the scope of this license? Email me: dal@douglaslucas.com.

In which my Taco Benefactor Turns Out to Be a Former Communications Analyst for JSOC

While working on a freelance infotainment assignment during the small hours of Thursday night, er, Friday morning, a friend alerted me to the presence of free tacos nearby. After engulfing a few, I happily tweeted:

This started innocently enough.

I asked who my taco benefactor was. Friend points him out: that guy over there talking philosophy. One of my BA majors was in philosophy, so I go over and talk up my taco benefactor on the subject, which we quickly hone in on Hobbes.

In 1651 Hobbes wrote in Leviathan:

I put for a general inclination of all mankind, a perpetual and restless desire of power after power, that ceaseth only in death.

The conversation gets mildly heated and a bit more interesting when he says he voluntarily chose to fight for the US military in Iraq. I asked him how he reconciled his philosophy studies with, you know, invading another country that didn’t do anything to the United States. My taco benefactor tells me that, metaphysically speaking, he thinks of reality as permeated and constituted by violence.

Kill them before they kill us, he says, because otherwise they will kill us — that sort of thing. I bring up nonviolence, Martin Luther King Jr., Zen Buddhism, etc. and win temporary favor with him by acknowledging the US MIL culture is at its best educated, sophisticated, etc., not easily rendered by broad brushstrokes (speaking of rendering things, the CIA renditions innocent civilians extra-legally, knowingly; then there’s the torture). My taco benefactor is assuaged enough by my token respect for military culture to carry on the conversation outside over a cigarette, but I carefully bum one (rare & for social purposes only) from my friend, not from him.

He (Chad Wood) tells me he worked as a communications analyst for the Joint Special Operations Command. JSOC, you know, black ops. Said he was integral to missions that led to the capture of AAM (Abu Ayyub al-Masri), for example. Said, a few times, “I don’t know if I should trust you” — I’d made my activism supporting WikiLeaks clear from the outset and that I was adversarial to his beliefs. In fact, I let him know that a few hours prior I’d been calculating bus fare to attend a protest at Fort Meade to support Bradley Manning, who was, like Chad, a military intelligence analyst. (It turns out the bus fare cost is prohibitive; the USA really needs some high-speed public transit.)

Chad philosophically justifies US aggression and treating people as expendable by reference to the grand historical project of democracy. Look, I like Madison-Jeffersonian democracy, too, but the approx 120,000 dead civilians in Iraq (due to the War since 2003) aren’t the price for that. It seemed to me Chad argued for the goodness of US foreign policy by an attempt at inference to the best explanation: Look around, he argued, things are fine, aren’t they? Don’t you think there are some really smart people making sure you and I can have this conversation, and that we should let them have their secrets? I’ll let Howard Beale reply to that one:

Well, if there’s anybody out there that can look around this demented slaughterhouse of a world we live in and tell me that man is a noble creature, believe me: That man is full of bullshit.

He pointed to a truck at a stoplight. He said if he saw such a truck overseas, a computer could give him the last 8 months on that truck in seconds. Exact maps of its past movements, actually. I asked him if they do that on domestic soil. He shook his head No.

He told me the NSA (No Such Agency National Security Agency) has a guy called “Crypto ******” — Crypto something; I didn’t catch the second part of the NSA man’s name, and when I asked Chad to repeat it, he wouldn’t. I do recall that the other, second part of the name was a dactyl (metrical foot: three syllables, stressed on the first syllable) and alliterative (starts with the same sound) — I think it was “Crypto Codekeeper” or “Crypto Keykeeper” or “Crypto Keymaster” or “Crypto Codemaster” or something like that. This guy, Chad said, arrives at top-secret meetings with a briefcase containing physical tape — like cassette tape — that’s used to communicate one-time cryptographic keys and is burned as soon as possible. This guy, Chad said, will be watched for the remainder of his life.

Chad also said he worked with CIA black sites. I’m not sure if he meant worked at them geographically or worked with them remotely (or both).

He posited a “hypothetical”: Why not a submarine vampire-tapping the communication cables that cross the oceans?

Another “hypothetical”: Why not a building here in Fort Worth — or any other major US city — with 6 elevator shafts and only 4 elevators, the other 2 used as antimissile silos or for other interesting purposes? I asked which building. He said I should have asked which buildings, plural. He didn’t specify any.

He said Obama personally authorizes dronekills (or at least the significantly controversial ones) and in general, the extrajudicial assassinations (my phrase). Said it’s public record that the Commander-in-Chief authorizes them, but that he has the experiential knowledge that it’s so.

Said AES-256 OTR properly done cannot be brute-forced yet and contains no backdoors.

Really, he asked me, if I’m so interested in this stuff, why don’t I join up? “The ultimate Assange is already working for the NSA,” he said. Get involved, he said, and get better health insurance than hippies currently have. I’d have access to all sorts of cool technology, he said, and since I’m an ace humanities guy, they’d even have stuff about metaphors and narratives for me and all that kind of stuff!

To which as a proper reply I offer:

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In which my Taco Benefactor Turns out to Be a Former Communications Analyst for JSOC by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Seeking permissions beyond the scope of this license? Email me: dal@douglaslucas.com.

Party at Stay Wired!, Oct 15 2011

On Saturday, Stay Wired! Coffeehouse & Computer Service (Twitter, facebook, 2918 W. Berry Street, Fort Worth, TX 76109) hosted an awesome party, organized by Ted Wick and Travis Hildenbrand as the production team Canadian Caveman. Cover was $6 and beer upstairs was free (tips suggested).

Kari talks about burlesque history

The night’s main attraction proved to be Christopher Walker‘s CYBERPUNKS Burlesque. Here are the members’ names in the order pictured above, left to right.

  • KARI KALVIG, Associate Artistic Director
  • LUCY GUNN
  • MYSTICAL TEMPTRESS
  • MISSY LEMURE
  • NEVAEH ROGUE
  • AMBER ROMANCE
  • MAGENTA D’LITE
  • MAX VALENTINE

The burlesque troupe performed twice, once before the bands, and a second time after either one band or two had played (I can’t remember for sure).

Nevaeh Rogue was extremely confident. Definitely the star.

NEVAEH ROGUE

Mystical Temptress was a very fun performer, clearly having a good time.

MYSTICAL TEMPTRESS

Max Valentine was entertaining as well. I think he has a pretty good job.

MYSTICAL TEMPTRESS & MAX VALENTINE

Missy Lemure’s expression and hair are amazing here:

MAX VALENTINE & MISSY LEMURE

Nevaeh again for the win.

NEVAEH ROGUE

Nothing in their way:

Christopher Walker‘s CYBERPUNKS Burlesque

Signals & Alibis (Website, facebook, ReverbNation) began for the bands, returning to the site of their first-ever gig.

  • Brian Carter (guitar, keyboards)
  • Darby Eckles (drums)
  • Sybil High (bass)
  • Rebecca Jozwiak (vocals, keyboard, guitar)

Singing, Rebecca never met tied whole notes she didn’t like; her voice glided well over the dreamy, reverb-heavy atmosphere Brian brought with his guitar. Darby’s drumming created the right stoner-rock framework, and Sybil’s bass, strong as a piano’s bottom strings, undergirded it all.

(Maybe it’s captious to criticize, but the addition of eccentric fills from Brian and Darby would add some nice detail to their soundscape.)

Thanks for the Burnett’s Whipped Cream Vodka, Sybil!

DJ NOiCE (Twitter, facebook, SoundCloud) played house music, cyberpunk-sounding stuff.

You can hear DJ NOiCE in this video compilation. This was the first time I’d ever used my (DSLR) camera to record video, and the first time I’ve ever edited video by computer. What strikes me about this video is how much fun everyone’s having.

Collective Dreams (Twitter, MySpace, facebook, ReverbNation) played second.

  • Caleb Barber (guitar)
  • Travis Hildenbrand (drums & percussion)
  • Ben Rodriguez (bass)
  • Albert Salinas (guitar)

Travis is a talented drummer. But all and all what this instrumental band did was stare at the floor and play progressive rock to one another. They were talking to themselves, but at least they seemed to enjoy it.

Downstairs by the coffee bar Hyung-Joo Kim tore it up on cello for passersby. He’s a graduate music student at UT-Austin.

Hyung-Joo Kim, cello

Stereo Type Writers (facebook) played last.

  • Kevin Brown (bass & vocals)
  • Jake Ferris (guitar & vocals)
  • Herman Gallegos (drums)

Stereo Type Writers faced a diminished crowd since by then the burlesque troupe had left. It was also their first real gig; each member earned a dollar. They deserved that $3, though, since they persevered bravely despite minor equipment problems and overall venue exhaustion. Their straightforward music was at its best when their enthusiasm took off. Kevin Brown’s confidence on his fuzzily distorted bass drew my attention. It’d work well for this group to find an exciting singer who could move into the crowd.

The weekend was also the 28th birthday of Stay Wired!’s leader, John Campbell. His birthday and his role as host earned him plenty of applause, which he totally deserves.

Birthday Boy John Campbell

Stay Wired! holds an open-mic night every Thursday; arrive at 8:30 p.m. to sign up for a slot; it ends at midnight or so. Events such as the Oct 15th party happen on many weekends. Awesome, right?

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Party at Stay Wired!, Oct 15 2011 by Douglas Lucas is licensed under a Creative Commons Attribution 3.0 Unported License. Based on a work at www.douglaslucas.com. Attribute to “Douglas Lucas” or “www.DouglasLucas.com” or preferably both. Permissions beyond the scope of this license might be available: contact me (email).

Book Donation to Occupy Dallas

On November 10 I rounded up a bunch of stuff, inspiring and relevant literary material mostly, and donated it to Occupy Dallas (Twitter; Facebook).

Books (and bookcase and bag) I donated to Occupy Dallas

Here’s a list of the books I gave, and why I thought them pertinent. All are fiction except for the Robert Reich.

I wanted to include More Than Human by Theodore Sturgeon, but I couldn’t find a copy.

Occupy Dallas Education Tent

The books went into the tent above; the guy who received the donations told me they’d probably use the bookcase elsewhere. I wonder who read the books and what they thought and if it made a difference.

Occupy Sesame Street comment, in the voice of Cookie Monster:

Yes, there always going to be rich and poor. But we used to live in country where rich owned factory and make 30 times what factory worker make. Now we live in country where rich make money by lying about value of derivative bonds and make 3000 times what factory worker would make if factories hadn’t all moved to China.

Capitalism great system. We won Cold War because people behind Iron Curtain look over wall, and see how much more plentiful and delicious cookies are in West, and how we have choice of different bakeries, not just state-owned one. It great system. It got us out of Depression, won WWII, built middle class, built country’s infrastructure from highways to Hoover Dam to Oreo factory to electrifying rural South. It system that reward hard work and fair play, and everyone do fair share and everyone benefit. Rich get richer, poor get richer, everyone happy. It great system.

Then after Reagan, Republicans decide to make number one priority destroying that system. Now we have system where richest Americans ones who find ways to game system — your friends on Wall Street — and poorest Americans ones who thought working hard would get them American dream, when in fact it get them pink slip when job outsourced to 10-year-old in Mumbai slum. And corporations have more influence over government than people (or monsters).

It not about rich people having more money. It about how they got money. It about how they take opportunity away from rest of us, for sake of having more money. It how they willing to take risks that destroy economy — knowing full well what could and would happen — putting millions out of work, while creating nothing of value, and all the while crowing that they John Galt, creating wealth for everyone.

That what the soul-searching about. When Liberals run country for 30 years following New Deal, American economy double in size, and wages double along with it. That fair. When Conservatives run country for 30 years following Reagan, American economy double again, and wages stay flat. What happen to our share of money? All of it go to richest 1%. That not “there always going to be rich people”. That unfair system. That why we upset. That what Occupy Sesame Street about.

2010 article from Business Insider: 22 Statistics That Prove the Middle Class is Being Systematically Wiped out of Existence in America.

2011 article from Business Insider: Charts: Here’s What Wall Street Protestors Are So Angry About.

2011 article from Rolling Stone: Why Isn’t Wall Street in Jail? Bankers commit economy-destroying crimes — actual crimes — and remain on the loose; meanwhile, many anti-Occupy folks (especially cozy liberals) are interested in nitpicking park regulations … WTF?

Occupy Dallas footage uploaded to YouTube (by someone else) on Nov 19, 2011:

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Book Donation to Occupy Dallas by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Seeking permissions beyond the scope of this license? Email me: dal@douglaslucas.com.

Report after Bringing Donated Water to Occupy Dallas

On October 11 2011, with the help of a friend’s warehouse club card, I purchased 392 20-oz bottles of water (and elsewhere, some gas) using donated money entirely, for the purpose of bringing bottled water to the Occupy Dallas (Twitter) group. I was going to make a table of the ten donation amounts, complete with mean, median, and mode, but my other friend who’s a whiz at statistics told me that with such a sample size, I’d be making a complete fool of myself to post anything other than gross and net. Here you go: $100, $100.

Even the Honda Fit groaned under this water’s weight

Occupy Dallas is part of the larger Occupy Wall Street (Twitter) movement protesting genuine grievances, primarily income inequality and the unethical merger of governments, mega corporations, and big banks. I’ll throw the surveillance shadow state in there as well. If you’re so cozy within your white picket fence that you don’t see a problem, gander at these graphs from Business Insider.

This isn’t fair.

What Warren Buffett said.

The 99% aren’t asking for equality of opportunity or results.

Still voting Republican? No? Okay, good. Because the right-wing works by convincing enough people who have the resources to take off work and go vote that they, these voters, are the 1%. You too will own yachts! Actually, no, you won’t. Most you might be able to pull off is maintaining your white picket fence (if you have one), or rather, maintaining the bank’s white picket fence — banks own more home equity in the US than individuals do. Meanwhile the Democratic left, that is to say, more or less, everyone else taking traditional politics seriously, gets divided and disorganized arguing over how to best compromise with the 1% to achieve minor reforms — until populism such as Occupy Wall Street gains a loud enough nonviolent voice to bring about real change.

Hi y’all! You are also the 99%!

I stopped at Pioneer Plaza (the Dallas Occupation is now moving to City Hall Park) and, as a cop watched, hastily deposited my quarters into the parking meter. Activists at the Occupation then ferried water from my Fit to the supply base faster than I could pull my camera out. Peeps were thirsty. :-(

I had a minute to chat with the woman I understood to be Whytney (pictured left?), a leader there who is, I think I overheard, the chief operator of the OccupyDallas Twitter account. (Also: thanks to OccupyDallasCOS, OccupyDallasEMS, and CinnabarSweets for helping me out with some logistics.) I asked for, and quickly received, a list of other items — chairs, C-size batteries, walkie-talkies, shelving, ice, and more — that the 500-or-so people of Occupy Dallas desperately need. Working on that list now, y’all; I’m gathering donors.

Speaking of donations: hopefully, you’re now asking yourself how you can pitch in. There are plenty of ways.

The people united (in Dallas!) will never be defeated!

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Report after Bringing Donated Water to Occupy Dallas by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Permissions beyond the scope of this license may be available at www.douglaslucas.com.

Sudden Jesus-ing in Fort Worth, Texas, at Berry & Cockrell

Note: Edited by this selfsame writer in year 2020.

 

“YES, MY FRIEND-uh”

This Friday evening a group of maybe twenty folks have assembled at the corner of Berry and Cockrell to proselytize for Christianity; I happened to pass by and jump into live-blogging mode. The speakers from the group, some using English and one Spanish, have been speaking into a hand-held microphone and through a portable PA for easily an hour counting. They’re passing out pamphlets identifying themselves as The Door Christian Fellowship.

The pamphlet handed to me says, among other things, “Are your hopes and dreams unraveling? Are your finances stretched to the breaking point? We Care! and We Can Help! Join us for Life-Changing Services. Find out why Jesus Is The Answer!” It gave an address in Texas, along with a phone number.

 

“Douglas-uh, maybe you should move out of Texas-uh.”

They picked this particular street corner for obvious strategic reasons. It’s catty-cornered by the Texas Christian University strip, where clubs, restaurants, and the like entertain students. I don’t know if the group got a permit, or if they needed to, technically, or not. People walking or driving by have expressed various reactions — mostly happy honks and cheers, but a few jeers and some “SHUT THE F*#) UP”s.

 

“Can we go home yet?”

Here are some quotes from the speakers, 90+% accurate.

  • I know there’s [sic] been advances in technology. The answer is not on Facebook, my friends. The answer is not on Twitter, my friends. There is [sic] real answers in God. Before I got saved, I used to look into all those kinds of — Buddhism, and all kinds of new age stuff. But the real answer was right here: Jesus Christ.

  • On the outside, we’re dressed-up, my friend, we look like we’ve got it all together, but on the inside, my friend, you’re dying because of your sin. You wake up at night and wonder what will come tomorrow. On the inside, you cry yourself to sleep. You go from relationship to relationship because on the inside, you’re dirty. Jesus Christ will clean you. He wants to do that. The Bible says He will set you free. You can be set free from the lifestyle of drugs and alcohol. You can be set free from living for the next party, the next big thing. Jesus Christ can change who you are on the inside, my friend. Jesus can change you. He can change you, my friend, so you don’t have to end up like your parents.

  • Your parents are paying for you to go to college, probably, and you’re wasting that money tonight by getting drunk so you can sleep with someone, maybe. But you will be free for real if you cry out to Jesus Christ!

  • Maybe you’re a queer — it takes God to save you.

  • God commanded us to go forth and preach the Gospel. We go all over the city and preach Jesus Christ. We’re not here tonight because we’re trying to put something on you. I love Fuzzy’s Tacos, my friend; amen, it’s nothing against anybody, my friend. We really care about you. We don’t want to see God put you in Hell.

     

  • Accept Jesus before it’s too late. If you reject the perfect and living God, he will reject you for all eternity and send you to Hell.

It’s this same group (different day, different place in the same city):

They’ve just now put away their gear and dispersed. As they were packing up — I was typing this from the patio of Stay Wired! Coffeehouse and Computer Services — a guy and girl walked by, dressed up as Jedis, complete with lightsabers. Works for me.

 

Used without permission; please don’t go after me, buy Star Wars instead.

Creative Commons License

Sudden Jesus-ing in Fort Worth, Texas, at Berry & Cockrell by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Permissions beyond the scope of this license may be available at www.douglaslucas.com.

Concerns about WikiLeaks Cablegate2 Ameliorated

Clark Stoeckly‘s Wikileaks Truck Gets Pulled Over (Flickr; Twitter)

Hopefully you’ve read my prior post about searching WikiLeaks cables for literary topics, which WikiLeaks linked to on Twitter. If not, go read it real quick; I’ll wait.

Okay. At the time of that post, WikiLeaks was still redacting the US State Department cables they’d published, in conjunction with other media partners. A redaction is a removal of sensitive information from a document — in this case, mostly the names of informants (sometimes whistle-blowing informants, sometimes ill-intentioned informants). The worry motivating redactions was that bad guys (for lack of a better word) would retaliate against informants for their interaction(s) with the State Department. Just a few days after my post, WikiLeaks published all 250k+ of the State Department cables, raw, without redactions. Whoa, what happened?

When WikiLeaks was originally working with media partners on Cablegate, editor-in-chief Julian Assange gave an encrypted file of the cables to Guardian journalist (and confessed phone hacker) David Leigh, who later printed its password in his book (which prompted x7o to remark “#idliketothink that if JA had given me the password for cablegate, it wouldn’t now be the title of a chapter in an international bestseller”). The Guardian denies wrongdoing, claiming WikiLeaks told Leigh the password was temporary, which is technically impossible and not the sort of thing an elite cypherpunk such as Assange would mistakenly say. Other disasters, some not nearly as flagrant, combined and led to the file’s decryption by the dark sub-floor of the Internet.

Pretty soon all of the unredacted cables were springing up on websites (including at least one with a customized search engine), and taking up residence on popular file-sharing services. Therefore anyone motivated enough could locate them; some debate just how easily non-technical people could locate the unredacted cables, but really, it’s not that hard — especially for foreign intelligence agencies, computer-adept terrorists, etc.

In a surprising response to the rise of unredacted cables, WikiLeaks published the entire set of unredacted cables themselves, now known as Cablegate2. They also published a press statement:

PJ Crowley, State Department spokesman on the cables issue earlier this year, told AP on the 30th of August, 2011 that “any autocratic security service worth its salt” would probably already have the complete unredacted archive.

Two weeks ago, when it was discovered that information about the Leigh book had spread so much that it was about to be published in the German weekly Freitag, WikiLeaks took emergency action, asking the editor not allude to the Leigh book […]

WikiLeaks advanced its regular publication schedule, to get as much of the material as possible into the hands of journalists and human rights lawyers who need it. WikiLeaks and its partners were scheduled to have published most of the Cablegate material by November 29, 2011 – one year since the first publication. Over the past week, we have published over 130,000 cables, mostly unclassified. The cables have lead to hundreds of important news stories around the world. All were unclassified with the exception of the Australian, Swedish collections, and a few others, which were scheduled by our partners.

WikiLeaks has also been in contact with Human Rights Watch and Amnesty at a senior level. We contacted the US embassy in London and then the State Department in Washington on 25 August to see if their informant notification program, instituted last year, was complete, and if not, to take such steps as would be helpful. Only after repeated attempts through high level channels and 36 hours after our first contact, did the State Department, although it had been made aware of the issue, respond. Cliff Johnson (a legal advisor at the Department of State) spoke to Julian Assange for 75 minutes, but the State Department decided not to meet in person to receive further information, which could not, at that stage, be safely transmitted over the telephone.

This is getting intense

Though these comments seem clear enough at first glance, they left some things unknown. Did WikiLeaks publish Cablegate2 to protect sources, as Glenn Greenwald stated? If so, how does the publication protect sources? What does Human Rights Watch and what does Amnesty International make of Cablegate2, and what did they advise WikiLeaks? Inquiring minds who have been supportive of WikiLeaks (a risky, though legal, thing in the US) deserve to know the full reasoning behind the Cablegate2 publication, I think, without any big steps in the argumentation left for educated guesses.

Some answers arrived today in a New Scientist interview with Assange. He specified three independent justifications for publishing Cablegate2.

  • To protect at-risk people. Assange said: “for harm minimisation, there are people who need to know that they are mentioned in the material before intelligence agencies know they are mentioned — or at least as soon after as possible.”

  • To establish an authentic version of Cablegate2. Assange “point[ed] to stories published in Tajikistan and Pakistan that have been based on fake cables.” [He said:] “WikiLeaks is a way for journalists and the public to check whether a claimed story based on a cable is actually true. They can come to our site to check. We have a 100 per cent accuracy record.”

  • To help reformers racing against the corrupt’s clamping down. Assange: “a race commenced between the governments who need to be reformed and the people who can reform them using the material.”

When WikiLeaks first published Cablegate2, I, like WikiLeaks Crowd-Sourceress Asher_Wolf, had (and have) several concerns. Here are mine:

  • WikiLeaks didn’t call for amnesty for at-risk, whistle-blowing informants.

  • WikiLeaks didn’t apologize to at-risk, whistle-blowing informants.

  • WikiLeaks apparently didn’t request public comment from Human Rights Watch or Amnesty International.

  • WikiLeaks had only given a truncated remark about Cablegate2 protecting sources. With the New Scientist Assange interview this concern is now redressed.

You might respond that the first three concerns above can’t be redressed given WikiLeaks’ limited resources and the quantity of the cables, or maybe that redressing the three concerns isn’t WikiLeaks’ proper role as a conduit for whistle-blowing leakers, or maybe that addressing them would cause legal problems or PR problems for their brand (their reputation affects whether whistle-blowers trust them). I can understand those responses, though I’m not sure how to fully evaluate them. I do think WikiLeaks needs to do more for the named, whistle-blowing informants.

But after today’s New Scientist interview, I do feel that on balance, WikiLeaks did the right thing by publishing Cablegate2. I hope, however, that people and organizations of sufficient importance work toward protecting the named, whistle-blowing informants, and that Human Rights Watch and Amnesty International weigh in publicly on WikiLeaks’ Cablegate2 publication (in which case I’ll consider their reasoning). After all, WikiLeaks followed the computer security community’s practice of widely publishing threats (viruses, etc.) that are already out in the wild since doing so, despite risk, solves problems more quickly; yet, assuming the same strategy extends to protecting people offline might be a problematic example of what Evgeny Morozov calls Internet-centrism: relying too much on technical knowledge when addressing problems not adequately described in technological terms.

Actually read this

As Clay Shirky says, in the United States, publishing leaked documents is basically legal (see New York Times v. United States as well as the First Amendment); it’s leaking them that’s often illegal (and risky). Today the Internet has lowered the costs associated with publishing. We with Internet connections are all now publishers, though not all journalists. While instituting legal licensing to determine who gets to be a publisher would be ridiculously bad for freedom, our larger bullhorns — especially those of the more prominent netizens among us — come with more serious responsibility than might be first imagined.

Older generations, I think, see publication itself as some measure of approval of the published content; in this view, WikiLeaks publishing the unredacted cables amounts to the organization approving of the lack of redactions. This view makes a degree of sense in the past world where the process of publication was expensive, time-consuming, and relatively uncommon.

But now, to use two metaphors each from a different science fiction writer (William Gibson, then Cory Doctorow), with the Internet the human race has sprouted an information exoskeleton, an outboard brain. If the principle “non-secure, online info available anywhere is available everywhere” isn’t completely true yet, it will be more or less true within a decade or, at most, two. This is the ideology of radical transparency. WikiLeaks is helping to usher in a world where not writing down secrets (or typing them out) will be the only way to keep them. That world, I think, will be one of reduced secrets and, accordingly, a better, more just one.

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Concerns about WikiLeaks Cablegate2 Ameliorated by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Permissions beyond the scope of this license may be available at www.douglaslucas.com.

Searching Wikileaks Cables for Literary Topics, First of Many

Clark Stoeckly‘s Wikileaks Truck on Flickr, Twitter

This week WikiLeaks published thousands more US diplomatic cables as part of its Cablegate operation. Among many other items, Cablegate has confirmed or revealed the following:

  • Referring to the United States’ secret air strikes in Yemen, Yemen’s president promised US general David Petraeus that “We’ll continue saying the bombs are ours, not yours.” (Original Cable, Salon, BBC.)

  • Though Canada publicly claimed opposition to the Iraq war “for domestic political reasons and out of a deep-seated Canadian commitment to multilateralism,” it secretly told the United States it was “prepared to be as helpful as possible in the military margins,” using Canadian naval and air forces “discreetly” on behalf of the US. (Original Cable, CBC News.)

  • The United States ordered American diplomats to secretly and illegally collect top United Nations officials and others’ credit card numbers, biometric data (fingerprints, iris scans, DNA), passwords, and more. (Original Cable, NYT, Guardian.)

  • In 2009 U.S. Senator John McCain promised Libyan dictator Muammar Qadhafi some American military hardware. (Original Cable, Politico.)

  • Texas security contractor DynCorp pimped little boys to be raped by Afghan policemen at a DynCorp-organized party. (Original Cable, Houston Press, Guardian.)

Whoops

WikiLeaks initiated a crowdsourcing effort, #wlfind on Twitter, ensuring its latest cable releases would be looked through. Inspired by Furry Girl (Twitter), who put together a post about the latest cables in her area of expertise (sex work), I decided to do something similar for literary topics. If you’re eager to dig through some cables yourself, try this cablegate search engine, and then share your findings online.

(Also! Watch Glenn Greenwald defend Wikileaks and Julian Assange on CNN with this embed.)

I restricted my work to this most recent batch of cables. Here are the search results, and the total number of hits when I first searched, for: literature (665); literary (334); … wow! This is going to take more than one post.

Reading the below, one should bear in mind Evgeny Morozov‘s astute critique of Internet-centrism, a lazy perspective that ignores the importance of local cultures when interpreting material and instead focuses faith on technology. I’m not at all an expert on foreign countries, etc. I can only fish out cables with some literary significance in the hope others might benefit from them.

  • In April 2006, a few months after gun-firing Chinese police in Dongzhou subdued villagers protesting land confiscations (WaPo), the American consulate in Guangzhou invoked a metaphor of Lu Xun‘s (“China’s most prominent modern author”): the Chinese sense, in the area, of rapid economic growth is that it “eats people.” From the cable (my link):

    in his “Diary of a Madman” short story […] the supposedly mentally deranged narrator has looked at the whole of Chinese history and found its grandeur and power to be founded on the eating of people

    The cable claims

    there is a conscious attempt led in part by Guangzhou’s most progressive and highly influential magazine, the “Nanfengchuang” (the “South Wind Window”), to revive the spirit of the New Culture Movement of the 1920s of which Lu was a key figure

    The cable goes on to advocate for increased injections of humanities programs to teach core American democratic values. These, the cable argues, will make rapid economic growth in the area more humane. After all, the cable says,

    there is a very large audience for American literature and thought. American literature specialist Ernesto Suarez, our Fulbright Scholar at Guangzhou’s Zhongshan University, is in demand not only at Zhongshan but also at other institutions every weekend throughout China. Recently, the Shantou University English Language Department approached the Consulate about strengthening the American literature component of its program in line with the desire of students to learn not merely the language but also the values of the American people speaking that language.

    (Original Cable.)

    The Cold War-style argument that humanities talks and courses (apparently) alone can sufficiently soften the steamroll of global economics makes one worry (especially in light of other cables).

  • A 2007 cable from the Beijing Embassy summarizes a Chinese Ministry of Foreign Affairs press conference that included China’s suggestion that the US State Department study up on its Confucius.

    Spokesperson Qin Gang said at the March 8 regular press briefing that the Human Rights Record of the United States in 2006 issued today by China’s State Council Information Office serves as “a mirror for United States to view its own human rights condition” and “understand why it has no right to use double standards in criticizing other countries.” Qin continued, saying the MFA would give the State Department copies of the “Four Books and Five Classics” of Chinese literature as a guide to good governance. Asked if the report constituted a double standard on China’s part by interfering in the domestic affairs of the United States, Qin referred the reporter to his previous statement.

    (Original Cable.)

    The Confucian work “Four Books and Five Classics” praises feudal values.

  • A 2008 cable from Taiwan noted growth in the market for simplified-character Chinese books as government restrictions on the products loosened and more translations of foreign books into Chinese were imported from mainland China.

    A survey done by local book dealers in 2006 showed that 50 percent of simplified-character Chinese books sold in Taiwan are on literature, history, and philosophy; 10 percent on social science, law, politics, and the military; 10 percent on Chinese medicine and art; 10 percent on education, finance and engineering; with the remainder on tourism and other topics. As for the consumers, Chu Fu-ming, head of the Eslite flagship bookstore’s simplified-character Chinese book section, told AIT, “those who buy simplified-character Chinese books are mostly intellectuals and academics. Only 20 percent of the buyers are in their twenties, while 40 percent are in their thirties and forties, and the remaining 40 percent are over 50 years old. Older people are especially noticeable because they come in the mornings and spend a long time poring carefully over selections,” Wu observed, with “history books being the most popular.”

    The cable worries about simplified-character textbooks supplanting US textbooks more and more, since Chinese college professors were finding the former less expensive and easier to assign.

    (Original Cable.)

  • In the Chinese city of Zhenjiang, readers of Nobel Prize-winning American novelist Pearl Buck (Mike Wallace interview; Nobel write-up), who spent much of her time in China, worried, according to a 2008 cable, that Buck wasn’t getting enough attention in the United States.

    Comment: Zhenjiang’s fervor for its long-ago American “daughter” points to possibilities for the upcoming celebrations of the 30th anniversary of U.S.-China relations.

    (Original Cable.)

  • A 2003 cable cited “the latest Human Development Report on the Arab states” as noting

    The economic, political, artistic, and literary creativity of the Arab states are being stifled by the exclusion of women, among other factors. As an example, the report notes that Turkey alone published more works of creative literature over the past year than the entire Arab world combined.

    (Original Cable.)

    Female Turkish novelist Elif Shafak spoke at a 2010 TED conference on the ability of fiction to overcome identity politics.

  • A 2003 cable said although “European public opinion may be skeptical about the politics of GOT joining the European Union, […] civil society has shown that sharing space with Turkey in the
    cultural realm is as natural as can be.” The cable cited the European popularity of Istanbul-born novelist Orhan Pamuk as evidence of Turkey’s “de facto integration into European cultural life.”

    His recent novel “My Name is Red” won the International IMPAC Dublin Literary Award in 2003; this award was the latest in a series of European honors dating back to his 1991 Prix de la Decouverte Europeenne for the French translation of his second novel, “Sessiz_Ev” (“The Quiet House”).

    (Original Cable.)

  • With a 2005 cable, the American embassy in Tel Aviv took note of an editorial referencing Egyptian playwright Ali Salem:

    “We have already seen that both Israel and Egypt generally obey when there is an American scolding…. Why not initiate, for example, the award of an honorary doctorate by an American university to Ali Salem for his contribution to peace between the peoples?”

    (Original Cable.)

    The original op-ed can be found here.

  • According to a 2006 cable, staff from the United Nations Educational, Scientific and Cultural Organization Director-General’s office “held misperceptions” about the World Digital Library, “a project to put rare and remote items on the web.” The staff worried over Google’s involvement, saying it troubled European nations, and that the countries might be more receptive to a UNESCO label.

    (Original Cable.)

Thus far I’ve come away with the impression that the United States strongly believes spreading American culture is an effective way to spread its core democratic values, but other countries often see this as hypocritical given the States’ frequent disregard of those values. If you’re interested in reading more about that, I recommend Evgeny Morozov’s book The Net Delusion. Another observation: writers and their work do make more of an impact in international politics than you might suspect.

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Searching Wikileaks Cables for Literary Topics, First of Many by Douglas Lucas is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Based on a work at www.douglaslucas.com. Permissions beyond the scope of this license may be available at www.douglaslucas.com.